ByRegan MacaulayWhat's NewComments Off on Day 12 of my 13 Horrifically Silly Days of Halloween with my guests director Lisa Ovies and writer Kevin Mosley, “Puppet Killer” PART 2
Welcome to Part 2 of my interview with Lisa Ovies and Kevin Mosley, director and writer respectively of Puppet Killer. We talk about other films, other issues, and Halloween stuff, too!
Be sure to keep an eye open for their next project The Vineyard! Details below. And now, Part 2:
Here are some of the films we chatted about:
I'm looking forward to checking out "The Vineyard"! Check the Triple Take blog for future updates!
Okay, so I have to say, right off the top, A LOT about this film—the kinds of filmmaking errors made, the convoluted plot, and especially the scriptwriting—totally remind me of the collected works of Edward D. Wood Jr. Directors Bill Rebane and later Hershell... read more
From Metropolitan International…Starring "Vic Savage" and Shannon O’Neil...Produced and Directed by A.J. Nelson (aka Vic Savage, which is also not a real name)…for today’s B-movie feature, I bring you “The Creeping Terror”, released in 1964! The film opens at night, POV through the windshield of... read more
This year, like the past two, I've got a baker's thirteen days for ya -- a bonus Day of the Dead blog!
And once again, I've got the video divided into two parts...here's Part One (please note there is some minor coarse language and a... read more
IT'S FINALLY HERE! The "blessed" day...day 13, better known as Halloween itself!
And today, my guests are director Jeremy Lutter and writer/producer Marcy Waughtal...the creators of the recent Ghost Town Killer podcast series.
Join us as we chat about the podcast, their other projects, their fav... read more
Today (and tomorrow!) I have director Lisa Ovies and writer Kevin Mosley! They work together fairly often, but their most recent collaboration is the super fun and most excellent Puppet Killer!
Watch Part 1 of our chat below:
https://youtu.be/Dn5uaq3bg7Y
Part 2 of my interview with Lisa and... read more
